It's great that we have so many choices nowadays, software and hardware. Actually there are some under the radar analogue vintage synths that one can get at good prices. In the end, the crucial point is that music relies on inspiration.Īnd i think that hardware synths sometimes can provide some real creative impulses. So i have to take descisions and i get lots of additonal inspiration while trying out different choices. I have to add that i don't try to integrate my hardware synths (and the Sherman FB) into my main session, but rather record the files and then import them. Of course, i also was glad about some Zebra (HZ), Diva and Omni patches.Īnd i recorded a lot of E-Guitar and E-Bass.
The essential psychological reason for me was the fact that the "microcosm" of the sound of that synth was so delicate that i had no doubt it would stand out even if the score was rather subtle in the film mix. In a recent film i scored (a TV-documentary) i was really glad to had the option to heavily use my hardware JX8P. As always, it's difficult to generalize when it comes to "sound better".
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